BOOK · LESSON 2

第 2 课：精剪L2: Finessing the Rough Cut

按教材子目录切分的跟练卡：每张卡一页，跟着步骤做项目。One card per book section, each on its own page.

16 sections

  1. 项目设置Setting Up the Project4 steps
  2. 复制与管理时间线Duplicating and Managing Timelines7 steps
    TASK 1Task 1复制时间线Duplicate TimelineTASK 2Task 2恢复时间线备份Restore Timeline BackupTASK 3Task 3禁用与启用时间线Disable and Enable Timelines
  3. 波纹修剪素材Ripple Trim Clips6 steps
  4. 滑动剪辑内容Slip Clip Content6 steps
  5. 滚动修剪切点Roll Trim Edit Point6 steps
  6. 滑动编辑点Slide Edit Point6 steps
  7. 滑动扩展间隙Slide to Extend Gap9 steps
  8. 滑动调整素材Slide Adjust Clips4 steps
  9. Replace Edit（替换剪辑）Replace Edit16 steps
    TASK 1Task 1替换剪辑采访片段Replace Interview ClipTASK 2Task 2替换白沙镜头Replace White Sands Shot
  10. 缩放画面Zoom and Reframe6 steps
  11. 变速处理Speed Change5 steps
  12. 稳定画面Stabilize Clip4 steps
  13. 添加转场Add Transition15 steps
  14. 应用滤镜Apply Vignette13 steps
  15. 添加 LogoAdding the Logo18 steps
  16. 添加片尾标题Adding the Closing Titles16 steps

单元任务Unit Brief

你的任务

拿一条顺序已定但还没精修的粗剪（自备素材或教材配套工程），综合用波纹、滚动、滑移、滑动和拆分编辑把它修出节奏：删掉拖沓、挪准每一刀、给关键衔接做声画错位，最后回放全片交出一个"精修版"时间线。

素材要求

  • 一条镜头 6 个以上、总长 30 秒以上的粗剪，顺序已经排好，但长度和切点都还没打磨；里面最好有手持抖动画面和一段带对白或环境声的内容
  • 镜头要留有余量（拍摄时前后多录几秒），否则波纹、滑移、滑动都施展不开
  • 手头没有粗剪，就用教材配套工程的时间线，或把任意素材按顺序铺满一条时间线当起点

步骤提示

  1. 复制一条时间线留底，然后全片过一遍，标出三个"感觉拖"的位置：用波纹修剪缩短、合上间隙，让总长先瘦下来
  2. 对台词和动作的切点逐个用滚动编辑微调，对照双画面把每一刀落在最准的帧上；个别放错位置的镜头用滑动挪回去
  3. 给两处内容帧不准的镜头用滑移换内容，再挑一两个关键衔接关掉 Linked Selection 做 J-cut / L-cut
  4. 回放全片和留底版本对比，数一数四种修剪各用了几次，找出最得意的一刀和还想再改的一刀

自评标准

Your task

Take a rough cut whose order is already set but hasn't been finessed (your own footage or the companion project), and use ripple, roll, slip, slide, and split edits together to give it rhythm: cut the flab, land every cut precisely, offset sound and picture at key joins, and hand in a "fine cut" timeline.

Footage

  • A rough cut of 6+ shots and 30+ seconds, order already decided but durations and cut points untouched; ideally it includes a shaky handheld shot and something with dialogue or ambient sound.
  • Shots need handles (record a few extra seconds before and after), or ripple, slip, and slide will have nothing to work with.
  • No rough cut of your own? Use the companion project's timeline, or lay any footage back to back on a timeline as your starting point.

Suggested steps

  1. Duplicate the timeline as a backup, then watch the whole cut and mark three "draggy" spots: ripple them shorter and close the gaps to slim the total first.
  2. Roll each dialogue and action cut against the two-up preview until every cut lands on the exact frame; slide any clip that sits in the wrong place back into position.
  3. Slip two shots whose content frames are off, then unlink Linked Selection and build a J-cut / L-cut at one or two key joins.
  4. Play the fine cut against the backup, count how many times you used each of the four trims, and pick your best cut and the one you'd still fix.

Self-check

本课自测Lesson Quiz