BOOK · LESSON 8

第 8 课：Fairlight 入门L8: An Introduction to Fairlight

按教材子目录切分的跟练卡：每张卡一页，跟着步骤做项目。One card per book section, each on its own page.

14 sections

  1. 音频后期与声音设计入门An Introduction to Audio Post and Sound Design
  2. 项目设置Setting Up the Project9 steps
  3. 准备时间线Preparing the Timeline14 steps
  4. 认识 Fairlight页面界面Exploring the Fairlight Interface9 steps
  5. 设置轨道格式与片段声道Setting Track Formats and Clip Channels3 steps
  6. 在 Fairlight 中修剪片段Trimming Clips in Fairlight6 steps
  7. 使用 AI Dialogue Leveler（AI 对白电平器）Using the AI Dialogue Leveler9 steps
  8. 应用 EQApplying EQ9 steps
  9. 添加音效Adding Sound Effects9 steps
  10. 使用 Scroller（波形/帧滚动条）Using Scrollers14 steps
  11. 对齐音效Aligning Sound Effects11 steps
  12. 混音Mixing the Soundtrack13 steps
  13. 音乐自动闪避Auto Ducking the Music12 steps
  14. 使用音频关键帧Using Audio Keyframes13 steps

单元任务Unit Brief

你的任务

把一版只有粗混（或干脆没混）的时间线带进 Fairlight，按"对话为王"做一轮完整混音：把声道和轨道类型对齐、修掉对白里的噪声、把对白电平立起来，让音乐和音效围着它退让，最后盯总线电平收工。

素材要求

  • 用教材配套工程，或自备一条同时带对白、音乐、音效三种声音的时间线
  • 对白最好带点底噪、或只有一边音箱出声——正好练修复和声道排障

步骤提示

  1. 在 Fairlight 页 Solo 对白轨排查声道错位，该改 Mono 的轨道改成 Mono
  2. 用 Fairlight FX 修掉对白里的底噪和嗡声，修好一段用 Paste Attributes 批量套用
  3. Mute 音乐和音效轨，先把对白峰值立到 -12 dB 到 -6 dB
  4. 逐轨放回音乐和音效，让它们退到对白之下；需要自动让位的地方挂 Ducker
  5. 盯总线电平表整体复查，再用小监听音量复听一遍，每句台词都清楚才算完

自评标准

Your task

Bring a rough-mixed (or unmixed) timeline into Fairlight and run one full dialogue-first pass: align channels and track types, repair the dialogue, stand its level up, then make music and effects yield around it — finishing with a look at the bus meters.

Footage

  • Use the companion project, or your own timeline carrying dialogue, music, and effects all at once.
  • Dialogue with some hiss, or playing out of one speaker only, is ideal — perfect practice for repair and channel troubleshooting.

Suggested steps

  1. On the Fairlight page, Solo the dialogue track to check for channel mismatches; switch tracks to Mono where needed.
  2. Repair hiss and hum with Fairlight FX, then batch the fix with Paste Attributes.
  3. Mute the music and effects tracks, and first set dialogue peaks between -12 dB and -6 dB.
  4. Bring music and effects back track by track, tucked below the dialogue; hang a Ducker where yielding should be automatic.
  5. Review the bus meters end to end, then re-listen at low monitoring volume — done only when every line stays clear.

Self-check

本课自测Lesson Quiz