RAWRAW

RAW 是各摄影机厂商自己的传感器原始数据包——不做成品，把传感器读到的东西原样交给你。

• 各家一份：BRAW（BMD）、R3D（Red）、ARRIRAW（ARRI）、ProRes RAW、CinemaDNG。
• 调整余量最大：色温、色彩、曝光都在后期才有定论——五维图上 RAW 素材各项都接近满格。
• 代价：体积大、需要算力解码；不是所有项目都值得上。
• 在格式地图的位置：拍摄那一环；中间与交付另有编码（见 容器（封装）、编码器）。

RAW is each camera maker's own package of raw sensor data — not a finished product; what the sensor read, handed to you as-is.

• One per maker: BRAW (BMD), R3D (Red), ARRIRAW (ARRI), ProRes RAW, CinemaDNG.
• The most room to adjust: white point, color and exposure are all decided in post — on the five-axis chart RAW footage sits near full marks on every leg.
• The cost: huge files and decoding horsepower; not every project earns it.
• Its place on the format map: the capture leg; intermediates and delivery use their own codecs (see Container, Codec).