BOOK · LESSON 5
第 5 课:二级调整L5: Making Secondary Adjustments
按教材子目录切分的跟练卡:每张卡一页,跟着步骤做项目。One card per book section, each on its own page.
10 sections
- 用窗口遮罩区域Masking Areas with Windows18 steps
- 用 Outside 节点反转选区Reversing Selections with Outside Nodes6 steps
- 使用窗口调整光线Using Windows to Adjust Lighting15 steps
- 使用 HSL 曲线进行二级调色Making Secondary Adjustments with HSL Curves14 steps
- 用 Color Warper 快速调色Making Quick Adjustments with the Color Warper9 steps
- 使用 Chroma Warper(色度扭曲器)Using the Chroma Warper9 steps
- 用 Qualifier(限定器)选取区域Selecting Areas with the Qualifier16 steps
- Qualifier 与 Power Window 组合使用Combining Qualifiers and Power Windows9 steps
- 使用追踪器Using the Tracker29 steps
- 使用 Color Slice 工具Using the Color Slice Tool10 steps
单元任务Unit Brief
你的任务
选一个层次分明的镜头(比如天空 + 人物),跑完一次完整的二级调色:先一级打底,再用窗口和限定器把天空、人物隔离成各自的选区,主体在动就让窗口跟住他,最后把肤色校到矢量示波器肤色线附近,导出一帧前后对比图。
素材要求
- 一个镜头即可,但画面里要同时有至少两块"想单独调"的区域(如天空 + 人物面部)
- 主体有轻微运动最佳,正好练跟踪;完全静止也能做,跳过跟踪步骤即可
- 素材尽量选位深高、压缩少的;只有手机拍的 H.264 也行,正好体会选区上限在哪
- 没有自备素材,就用教材配套工程里未调色的片段
步骤提示
- 先完成一级调色定准曝光和白平衡,再新建串行节点,按调整目标命名(如
SKY、SKIN) - 天空用窗口或限定器隔离,调成你想要的样子;人物在动就执行
Track Forward让窗口跟住 - 用限定器选面部肤色,对照矢量示波器肤色指示线微调,幅度宁小勿大
- 按
Command-D/Ctrl-D逐个开关节点,确认每个调整只落在自己的选区里,最后导出一帧前后对比
自评标准
Your task
Pick one shot with clear layers — a sky plus a person, say — and run a complete secondary pass: set the primaries first, isolate the sky and the subject into their own selections with a window and the qualifier, track the window if the subject moves, finish with skin tuned near the vectorscope's indicator line, and export a before/after frame.
Footage
- One shot is enough, but the frame must contain at least two areas you'd grade separately (sky + a face, for example).
- A little subject motion is ideal — it gives you a reason to track; a locked-off shot works too, just skip that step.
- Prefer higher bit depth and lighter compression; phone-shot H.264 is fine as well — it's a live lesson in where the selection ceiling sits.
- No footage of your own? Use the ungraded clips from the companion project.
Suggested steps
- Finish the primary grade to lock exposure and white balance, then add serial nodes named after each target (
SKY,SKIN). - Isolate the sky with a window or the qualifier and shape it into your look; if the subject moves, run
Track Forwardso the window follows. - Select the facial skin with the qualifier and fine-tune against the vectorscope's skin tone indicator — small moves only.
- Toggle each node with
Command-D/Ctrl-Dto confirm every adjustment lands only in its own selection, then export a before/after frame.